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Sensory Dub Example

by Co La

supported by
ubunoir
ubunoir thumbnail
ubunoir This is something I imagine Nurse With Wound could record if only they decide to refresh their sound pallete. Favorite track: Sensory Dub Example.
Franco Laveglia
Franco Laveglia  thumbnail
Franco Laveglia amazing hint of pure, minimalistic ambient. Favorite track: Sensory Dub Example.
Stéfan Németh
Stéfan Németh thumbnail
Stéfan Németh An experiment in tone, scope, and mood. Abstract long composition that longs to recreate a history of intimacy and sensorial experience. Divided in four major movements: an introduction, a dadaist cascade, an orderly rhetoric, and a valediction. Here the boundaries between music and simple exploration are mostly done with. The artist is not merely trying to re-create from life, he's witnessing a whole unknown life in the making. Favorite track: Sensory Dub Example.
NewYorkSomething
NewYorkSomething thumbnail
NewYorkSomething It sounds like a mutant house party.
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  • Record/Vinyl + Digital Album

    Single Sided 12" vinyl / 33 RPM

    Includes unlimited streaming of Sensory Dub Example via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $5 USD  or more

     

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about

‘Sensory Dub Example’ is the newest Co La music since ‘No No’ in 2015, and his first long-form 20 minute piece, presented in digital formats and on a single-sided 12” vinyl. Loosely spanning four movements, each has a heavy oozing atmosphere anchored by a low pulse and deep mechanical textures that constantly build and release tension. Several sections feature ear-tickling whispered vocals; my favorite repeats the line “this stuff smells so good but it doesn’t taste like anything” to confusingly eerie and calming effect, which is indicative of the work as a whole. As the title might suggest, listening closely to ‘Sensory Dub Example’ is like slipping into a miniature sound world; it reminds me of the orchestral term ‘tone poem’ in that it eschews standard album conventions for more enveloping explorations without sacrificing precise arrangement or attention to detail.

credits

released September 14, 2018

Produced by Co La in 2016
Mixed at Tempo House Studios, Baltimore 2016 & 2017
Engineered by Craig Bowen & Jared Paolini

T.C.O.C. x Flavor & Sound

Visual art by Keith Rankin

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