kori
One of my favorite releases this year, hands down. Jaw-droppingly gorgeous and intense experience that elevates the senses to a higher state of being. So unified in its execution it's difficult to pick a favorite track.
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$7USD or more
Luis Pestana - Rosa Pano LP
Record/Vinyl + Digital Album
Limited to 60 copies, a co release with Ilha and Regulator Records. For European and Asian buyers, it would be cheaper to buy directly from Luis Pestana or from Ilha or Regulator Records.
Includes unlimited streaming of Rosa Pano
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
Luis Pestana - Rosa Pano CS
Cassette + Digital Album
Out of Stock in the US. Remaining copies will ship from our distributor, Hot Salvation, in the UK.
Includes unlimited streaming of Rosa Pano
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
"Luis Pestana‘s debut is unlike anything else on Orange Milk Records; in fact, it’s like little else on the market. The set unfolds like a radio play, embracing multiple genres and instruments: choirs and church bells, woodwinds and hurdy-gurdy. The Portuguese artist calls Rosa Pano “his own folklore, inspired by his mother’s lullabies,” although the timbres are more likely to wake a listener up than to lull one to sleep. There are no track breaks, providing a seamless experience; one is drawn into the dream. We would not be surprised to see a troupe adopt the extended piece for an exercise in creative choreography.
“Oneia” begins as a slow march with church bells, a female voice and a sense of procession. At the end of the track, a clock is wound and allowed to tick; a baby begins to cry. Then chimes ring out and the tape enters a new phase, a fairy-tale world populated by buzzing sprites and synthesized surges that seem more Subtext than Orange Milk. Is the baby sleeping yet? As of Track 3, she is not. Multiple voices converge, keeping her awake and agitated. A short, solid drone leads to the busiest piece, “Au Romper Da Bela Aurora” (“A Break from the Beautiful Dawn”), where zither lays the foundation for an architecture of operatic voices.
The electronic tones return for the end run, percussive in nature, implying a flight through the forest back to safer ground. At the end of “Asa Machina,” the machines break down with a stutter, revealing a persistent choir. A lone flute, possibly from Pan, leads to the nine-minute title track, in which a siren’s cry is answered by a chorus of wolves. As a final drone approaches, the fairy tales crash together on a single shore. Once again, church bells ring, the mysterious story returning to the beginning: cycling, although changed, like a dreamer nourished by fantastic visions. Are we dancing or are we dreaming? Either way, we’ve grown enchanted by Pestana’s folkloric world."
Celeste (vocals) Elizabete Francisca (vocals)
Alibori H. (woodwinds) Bruno Pereira (zither)
Janita Salomé (arrangement and vocals on 5)
Vitorino (vocals on 5) Carlos Guerreiro (hurdy-gurdy on 5)
Contains samples from Julia Wolfe, Warner Jepson,
José Pinhal and Krzysztof Komeda
Written and produced by Luis Pestana
Mastered by James Plotkin
Artwork by Mariusz Lewandowski
Layout by Keith Rankin and Adrienn Császár
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There is so much attention to detail in the sound design. It feels very elastic in the way sounds are stretched and condensed and the sample choices appear so disparate but work very well together plastique_spastique